Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio Entombment of Christ oil painting


Entombment of Christ
mk68 Oil on canvas 9'10"x6'7" Vatican 1602-1603 Italy
Painting ID::  30543 		Caravaggio
Entombment of Christ
mk68 Oil on canvas 9'10"x6'7" Vatican 1602-1603 Italy
   
   
     
Caravaggio La Mort de la Vierge oil painting


La Mort de la Vierge
mk70 Toile H.3.69 L.2.45 Paris,Musee du Louvre
Painting ID::  31003 		Caravaggio
La Mort de la Vierge
mk70 Toile H.3.69 L.2.45 Paris,Musee du Louvre
   
   
     
Caravaggio La Diseuse de bonne aventure oil painting


La Diseuse de bonne aventure
mk70 Toile H.0.99 L.1.31 Paris,Musee du Louvre
Painting ID::  31005 		Caravaggio
La Diseuse de bonne aventure
mk70 Toile H.0.99 L.1.31 Paris,Musee du Louvre
   
   
     
Caravaggio Bacchus oil painting


Bacchus
mk83 1589-1596 oil on canvas 95x85cm
Painting ID::  33251 		Caravaggio
Bacchus
mk83 1589-1596 oil on canvas 95x85cm
   
   
     
Caravaggio The Young Bacchus oil painting


The Young Bacchus
mk86 c.1591-1593 Oil on canva s66x53cm Rome Galleria Borghese
Painting ID::  33557 		Caravaggio
The Young Bacchus
mk86 c.1591-1593 Oil on canva s66x53cm Rome Galleria Borghese
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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